L. G. C. Smith
A few weeks ago I drove from California to the Black Hills
in South Dakota with my sister, her six-year-old daughter, two big dogs, and
our parents following along behind with their erratic bladders and a broken
hearing aide. Fourteen hundred miles each way. In spite of sounding like many
people’s (literal) hell on wheels, it was awesome.
Family Vacation at Historical Family Homestead Site. Lovely dead trees.
My sister’s Pilot became a personal time travel machine that
carried us through landscapes that laid bare geological stories I hadn’t heard
for a decade. We swept through old mining and cattle towns and a couple of
cities. We crossed rivers and creeks lined with the same cottonwoods that were
there forty years ago when I was a kid. We paralleled old pioneer trails and
had to explain the Donner Party to a first-grader. I’m pleased to report that
the Boner Ranch sign is intact north of Lusk, WY. And most of the run-down
abandoned houses, barns and outbuildings that didn’t succeed in taming the West
are still hanging on to enough boards and nails to withstand blizzards and
scouring winds. I know this because every time my niece, the Leezlet, saw one,
and this kid misses nothing, she hollered “Beep-beep!”
Why? “You explain, Mom,” she demurred. It turns out that
“beep-beep” is my niece’s code for a haunted house. It’s faster than saying
“haunted house,” and has the advantage of not alerting any ghosts that she’s
looking—because those spectral prospectors and pioneer women driven crazy by
the wind are apparently lurking along the Interstates hoping for someone to
haunt. Anyone who mentions the words “haunt,” “ghost,” or “Ghost Hunters” is
fair game.
I remember looking at those brown and grey weathered houses
with their windows long-gone and their doors gaping open and wondering about
the people who had lived there. There was one house in particular, along
Highway 79 between Hot Springs and Rapid City, a square and solid Craftsman
bungalow with clean, elegant lines. I always wondered why anyone would leave
such a nice little house to ruin. It’s still there. I’ve been wondering about
that house since I was seven. My niece noticed it. Now she’s wondering, too.
One of the first things we did when we arrived in the Black
Hills was to visit the ranch my mother grew up on. The house is still there. My
great-great grandfather and his sons bought the two-story part from somewhere
else and moved it in. The one-story part was the original house on the
property, homesteaded in 1878 and first located south of the creek. It was
later moved a quarter mile north to be closer to the road, and joined up with
the two-story part to house a growing family. My grandfather grew up there, and
my mother. It was the one place in my life that stayed the same from the time I
was born (not too far away) until my grandparents moved into town when I was
out of college.
The house my mother grew up in. Built in 1880 and looking a little 'beep-beep.'
The oldest one-story part of the house.
The back room held more stories than the whole rest of the place.
We didn’t go in the house. We know the people who own it,
but they rent it to someone else. We didn’t want to impose. We stood in the
yard and looked at the Black Hills spruce trees my Grandpa planted for each of
his daughters, at the few scraggly apple trees his father planted in what used
to be a small orchard, and at the cottonwood and elm trees my parents dug up
from along the creek and planted in the front yard when I was in high school.
My mom was with us. We told those stories to the Leezlet, and many more. We
told about the time my sisters and brother were nearly hit by lightning when it
struck the corner of the house in 1973. We told about the card parties around
the dining room table with all my cousins and the neighboring family’s kids.
She had just met one of those kids, now a tanned and fit middle-aged rancher
with a granddaughter close to the Leezlet’s age.
No barn left at my grandparents' ranch, but this was the view.
I remembered that when I wrote my first historical romance,
“The Outlaw’s Secret Bride,” I used that house as the model for the house the
heroine lived in. Imagining her and her family there made it so immediate. I
realized that every novel I write has a house at its core, and I always draw
floorplans (sometimes to scale, depending if I can find my graph paper or not),
and furnish them meticulously in my mind’s eye. I still feel a twinge of regret
that my husband accidentally threw out my drawings of the floorplans and estate
plan for the house in my romantic thriller, “Warlord” (to be published in the
summer of 2013 by Belle Bridge Books).
The road trip brought back a lot of memories and the memory
of a lot of stories, fictional and historical. My niece demanded story after
story of road trips past, as well as new stories about her favorites: werewolves,
vampires, and ghosts. My hope is that she’ll remember some of those, and when
she sees “beep-beep” houses, she’ll think of not only the lost stories of those
who lived in them, but the tales of houses and places that ground her family in
time. I hope she will carry some of those stories into the future with her.
When she’s old enough to read my books, I hope she’ll see those old houses and
find inspiration for the new stories that will shape her life.
Bear Butte from the ranch. Good stories there, too.
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